Monday, November 8, 2021

Black Sails S2 Ep 7

What did you miss? For a review of the last episode, click HERE


from Den of Geek: https://www.denofgeek.com/tv/black-sails-season-2-episode-7-review/

Black Sails S2 Ep 7





By TS Rhodes|March 8, 2015|

This Black Sails review contains spoilers.

As the pirates bicker their way toward a vote on leadership, Hornigold or Flint, all of Nassau plots, plans and re-thinks its position, with only the light of candles and torches to show them the way. Flint, in sudden crisis because news has come that the gold is gone, is taken by the Spanish.

Silver is in conflict because loss of the gold means loss of his ties to Flint. Anne Bonny is rising from the horror of her latest murder to decide what will happen to the rest of her life. Eleanor is facing a choice between Vane, with his intense, loyal love for her, and Flint’s ephemeral vision for Nassau.

Vane is forced once and for all to decide between Eleanor and his freedom. Billy Bones is caught between the Navy’s offer of a pardon and loyalty to Flint, who may or may not have let him slip into the water to drown.

It’s a complex, introspective episode, full of beautiful images of flickering candles. Flint sits in his tent, waiting for the voting on whether the pirates of Nassau will vote to follow him or Benjamin Hornigold, former holder of the fort. This is one of the things that Black Sails does most realistically. I’ve never seen anyone properly drag out the role of the vote for captaincy. It involves men who are not great thinkers, men who live their lives governed by their muscles and their emotions. Votes change because one man trash-talked another man’s mother, rather than the merits of the case.

Anne Bonny is adrift. Her double-murder has left her emotionless and drained, drained enough that we hear her story, horrifying to a modern viewer, common enough in the 18th century. Max shows her wisdom in dealing with Anne. Max protects, guiding Anne away from life as a whore. The woman’s clothes Anne wears to replace her own bloody ones don’t fit, a significant detail in this show. I also note Max has retained Anne’s battered old hat. We’ll see that hat later, I’m sure. Max brilliantly and sincerely mediates with her girls on Anne’s behalf. Her plan uses all of Anne’s talents, and for the first time, allies Anne Bonny with women rather than men.

Eleanor’s decision to take Vane’s hostage, Abigail, and escape the fort on her own was made last week, but it is this week that we see the ramifications. She needs Abigail’s trust, and when she encounters the rusty gate in the tunnel, she needs the girl’s help. There are some powerful symbols here: Going into the tunnel (womb) facing a struggle (the gate, which doesn’t open just because one has the key) the need for sacrifice (Eleanor’s injury) and the requirement that Abigail become an active participant in her own rescue.

It’s only after Abigail helps with the gate that Vane confronts them. I rather think that, if Vane had come a minute or two earlier, when Eleanor was the only active force in the escape, that she would have acquiesced to his demands.

Vane is finally facing the chasm between himself and Eleanor. He loves her, pure and simple, and would have defended her to the death. But Vane is a simple man, honestly pursuing the life he wants for himself. In many ways, he’s the epitome of a pirate. What he wants is freedom and respect. He won’t play politics.

However, when Vane realizes that Eleanor will do anything to further her plans for Nassau, he states the situation clearly. He has killed, many times, on her behalf. She may not appreciate this, but Vane’s love for her has moved him to accomplish more than he ever could alone. When he tells Eleanor that this betrayal, which puts him in jeopardy, is the final one, and that he will hold her accountable, we must believe him. Vane has already risen from the dead.

Eleanor leads Abigale through the tunnels and into the world above, straight into the civilized arms of Miranda, Eleanor’s father, and Flint, now going by his given name, to earn the girl’s trust. But the warning is here. Even Charlestown is not a civilized place. Vane knows that you can’t trust civilization. Abigail has repeated this information to Eleanor, but she is yet too innocent to fully understand what it means.

We can expect more betrayals, and not from Vane.

Last week Billy Bones confided to Dufresne that, when the Navy set him free, it was with the promise of pardons for nine men (including Billy) if those men helped bring Flint back for trial. Billy has learned from his run-in with the law. He uses Dufresne to find the men who are willing to turn Flint in. Then he makes his case for loyalty with his fists and his feet. “Until we are all safe, there isn’t one of us who’s safe.” Although Billy still sides with Flint, his sentiments match better with Vane.

And, lastly, Silver. Silver who wants the gold more than liberty. We knew that his loyalty to Flint was broken the minute he realized how fragile Flint’s foundations were, and how little gold mattered to the Captain. How broken, we don’t see until the very end, but when it comes, it shifts everything. And Silver shares it with Max, the only one on the island who has the subtlety he does.

The alliance now stands – Max, Silver and Bonny. They are for the gold, and with Jack’s help, they may even get it. As the book says, the men feared Flint, and Flint feared Silver. Not without cause.

The pirate island lives on. Chaos and death wait just outside the door. We only need to wait for morning.

Friday, November 5, 2021

Dopesick S1 Ep 2: Breakthrough Pain

What did you miss? For a review of the last episode, click HERE


from The Review Geek: https://www.thereviewgeek.com/dopesick-s1e2review/

Dopesick S1 Ep 2: Breakthrough Pain


13/10/2021 by Greg Wheeler




Breakthrough Pain

Episode 2 of Dopesick begins in 1996 with Richard Sackler sitting down to breakfast in his lavish house. With the first sets of numbers due to roll in, Richard is focused and convinced that they’ll be fine. However, should this drug fail it could cause catastrophic consequences for the family.

While this is going on, Purdue extend their reach and bring Cutler out to see Finnix, encouraging him to show up to a seminar about OxyContin. He promises it’ll be fun but Finnix is busy with his patients. The big problem here is that OxyContin doesn’t last 12 hours like it was promised to.

The FDA only requite a 50% threshold though, hence why the drug has been cleared, and it’s enough to Sackler to wave any concerns around. He continues to push the drug to market, blinded by his ambitions. He believes this drug could be bigger than penicillin and fails to see the problems and dangers.


In order to combat the 12 hour issue, Purdue comes up with a buzzword – Breakthrough pain. Basically, if these patients experience pain before the 12 hours are up, they just need to double the dose to stifle their concerns. Cutler isn’t sure this is a good idea but continues to pedal this drug nonetheless, working with Purdue and convincing Finnix to double the dose.

Fast forward to 2003, Rick and John question those responsible for the promotional shoot. It turns out they were only instructed to bring in actors to talk about general pain medication. The text about OxyContin and the doses were actually added in during post-production. Apparently they have no names for the executives responsible for allowing this either. Typical!

With two weeks until a big meeting with the justice department, Randy and Rick begin to track down those on camera, and learn that they were told to specifically refrain from saying OxyContin on camera. It turns out these guys were actually referred by their doctor, Alan Spanos. He’s convinced that treating this pain is a good thing and that opioids have a bad rep.

One of the more harrowing cases comes from one of the women in the video, Regina Carter. At one point she was taking 160mg of Oxy at work, and subsequently lost everything. She managed to wean herself off the drug, but it’s undoubtedly another damning assessment of how destructive Oxy actually is.

Meanwhile in Harlan County, Bridget Meyer tries to get an appointment to see the doctor but gets nowhere.. In fact, the receptionist just nonchalantly seems to be allowing repeat prescriptions. On the way out the front door though, she notices Lucas and gets talking to him about OxyContin. Apparently half the kids are around the drug and they’ve been sniffing around the prescriptions ever since.

With her divorce finalized, Bridget drowns her sorrows in the bar. Lucas’ words continue to swim in her memories as Randy and Rick show up and fill her in on what they’ve uncovered. Specifically, they discuss the fraudulent promotional video. For now, Bridget takes a backseat to this investigation while the boys work.

Now, a lot of the trouble here comes from the very-legal corporate loopholes one can jump through. For instance, government officials switching across to working for the very companies they’ve been regulating to bypass those regulations. There’s nothing against anyone doing this and Purdue Pharma happens to have a bad rep for it.

Drug companies are supposed to be honest but criminal misbranding could be good grounds to incriminate Purdue on this subject. The trouble is, Maine justice are not happy with the group sniffing around and phone Brownlee, telling him their case is being shut down.

Back in 1996, Betsy breaks the news to her mum about being a lesbian. Only, she completely ignores her daughter and continues kitting, claiming she hasn’t heard. It’s all a ploy of course, given their religious upbringing, but enough to alienate Betsy further from her family. It’s also the tipping point for her decision to leave town.

The big seminar at Purdue goes ahead and with big names in the industry up on the podium talking about the drug, Finnix happens to be in attendance too.


All these different professionals claim to be experts, talking about the differences in drug and coercing these doctors to speak up for Purdue. One of those happens to be Finnix himself, who’s encouraged to talk about his experiences and win over the crowd. Billy Cutler gets the ball rolling by talking passionately about his father’s cancer, but we soon learn that was all one big lie. It was simply a way of coercing Finnix into speaking up about his own issues.

While al this is going on, a new line of OxyContin is launched – the 80mg pill.

The Episode Review

Those different storylines we saw in the last episode that seemed to jump all over the place now make a lot more sense as we see the extent of OxyContin and Purdue Pharma’s influence across the US. It works surprisingly well too, showing the juxtaposition between Purdue’s swanky offices and the devastating decisions of upping the dosage of drugs with little regard for these patients. Simultaneously, it also shows how those individuals slowly become more addicted.

The lawyers firmly in the middle of all this are obvious the anchor that holds everything together, while Dr Finnix serves as the good-natured doctor who finds himself wrapped in a devastating spiral of deceit as he unwittingly trusts Purdue.

This second episode is as good, if not better than the first at showcasing this. With another episode to come, Dopesick looks like it could well be a winner this Fall!


Thursday, November 4, 2021

Evil S1 Ep 6: Let x=9

What did you miss? For a review of the last episode, click HERE


from Meaww.com: https://meaww.com/evil-cbs-episode-6-recap-fans-worried-kristen-violent-threats-encourage-leland-townsend-demon

Evil S1 Ep 6: Let x=9


By Alakananda Bandyopadhyay
Published on : 21:42 PST, Nov 7, 2019






This article contains spoilers for Episode 6 of 'Evil'

Tonight on CBS' ongoing supernatural drama 'Evil', the inevitable "meet the family" moment happened. And as expected, things did not go right at all.

It was finally time for Kristen to meet the new man her mother Sheryl has been enamored with. However, things don't turn out great when Leland shows up at her home with her mother.

Actually, he shows up with Sheryl when Kristen isn't home and begins playing a game with her kids which somehow involves a song that goes: "I like coffee! I like tea! I like the devil to dance with me!"

When Kristen returns to find the man who has been haunting her in real life and in her dreams in such close proximity to the ones she holds dearest, her immediate response is pretty much guaranteed.

Calmly, Kristen asks Leland to follow her to the garage where she manages to find a knife and cut him right across the jugular. Neat, right? It gets better.

Kristen threatens Leland, asking him to go home and never to see her mother ever again, and even though Leland tries to act all smug, telling Kristen all this stabbing only "turns him on" further, the fact that Kristen's gash was just enough to allow Leland 20 minutes to get to the hospital and get stitched up before he bled to death was pretty kickass.

Sheryl, of course, is unreasonable and refuses to understand at first, but after listening to a recording of Leland's voice spewing despicable things to her daughter, she decides to put her family first.

Sadly, when she tries to tell Leland the same, things lead to an intimate moment between the two where they end up lying in a bed surrounded by literally dancing flames of fire. The next morning when Sheryl wakes up, she can be seen reaching into her closet for a red dress.

Are they getting married? Is this some satanic summoning ritual? We don't know, but fans have a feeling that Kristen's violent threats did spur Leland on further.

Taking to Twitter, a fan shared: "Aw, don't encourage him!" about Kristen's threats to Leland. And even though Leland self-admittedly claims this spurred him further, certain fans also believe: "If I were you, Leland Townsend, I would do what Kristen Bouchard says right now!"


'Evil' airs on Thursdays at 10 pm only on CBS.

Wednesday, November 3, 2021

Dexter S1 Ep 5: Love American Style

What did you miss? For a review of the last episode, click HERE

 From Wikipedia:https://en.wikipedia.org/wiki/Love_American_Style_(Dexter)

Dexter S1 Ep 5: Love American Style




Dexter is called to the abandoned hospital where he previously rescued Tony TucciDebra and Doakes question Tucci when he wakes up in hospital, but Doakes is unimpressed with Debra's ways of extracting information. He initially disapproves of her suggestion to blindfold Tucci to help him to remember his encounter with the Ice Truck Killer, but eventually relents. After being blindfolded, Tucci remembers that the killer used throat lozenges. They return to the crime scene and find a lozenge wrapper, on which Masuka finds a partial fingerprint.

Rita comforts her upset co-worker, Yelina (Monique Curnen), and learns that her fiancĂ©, an illegal immigrant from Cuba, is missing. Rita asks Dexter to look into the problem using his police connections, and he finds a list of subjects from a past police case. He turns his focus to Jorge Castillo, a salvage yard owner engaged in people smuggling. After Yelina's fiancĂ© washes up dead on a beach, Dexter discovers that Castillo is murdering immigrants who cannot pay for their freedom.

Dexter leads Castillo into an Airstream trailer in his salvage yard, but as he prepares to kill him, Castillo's wife Valerie (Valerie Dillman) arrives. Dexter realizes that the couple are working together, and decides to kill both inside the trailer. After doing so, he dumps their bodies in the ocean and frees their Cuban prisoners, not noticing the person watching him from the trunk of a car in the yard. In flashbacks, a teenage Dexter (Devon Graye) learns from Harry how to fake joy in a romantic date with a girl.

Tuesday, November 2, 2021

Fargo S4 Ep 5: The Birthplace of Civilization

What did you miss? For a review of the last episode, click HERE


from Vulture: https://www.vulture.com/article/fargo-recap-season-4-episode-5-the-birthplace-of-civilization.html

Fargo S4 Ep 5:
The Birthplace of Civilization



By Keith Phipps


Photo: Elizabeth Morris/FX

Imagine for a moment you’re an ordinary person living in the 1950 Kansas City of Fargo’s fourth season and just trying to go about your business. Life seems pretty normal, then one day the headlines shift. A well-known socialite has been gunned down outside a snooty hospital. Not long after, the back of the newspaper runs a weird item about the discovery of a burned-out truck that smells of oranges. Could it have something to do with the female fugitives who escaped from the nearby prison? And what about that raid on the downtown jazz club? What’s going on? If you wanted that kind of trouble, you’d have moved someplace famous for it, like Fargo, North Dakota.

But where it’s possible to imagine the average Kansas City resident going through day-to-day life without encountering any of the crime and weirdness we’d seen prior to this episode, “The Birthplace of Civilization” seems like a tipping point, the moment when the bloodshed starts to spill into the streets and the sub-rosa conflict between warring gangland factions becomes impossible to hide. It begins with tensions ratcheting even higher than before and ends with the first high-level casualty of the Fadda-Cannon conflict. Even if neither side wanted this war, there’s no going back from here.

The episode-opening salvo of “The Birthplace of Civilization” doesn’t necessarily seem like it’s going to lead to a full-on eruption. In fact, Josto treats it as an educational exercise for Gaetano, showing him one way to deal with an enemy that doesn’t involve killing. Instead of taking out Lemuel in a hit, Josto arranges to take him in via a raid orchestrated by Odis. Rather than enjoy a night of cool bebop, he’ll wind up in jail alongside some of Loy’s other men. It’s much more civilized! “That’s,” he tells Gaetano, “how it’s done.”

Josto might not have considered all the repercussions, however. First, the raid itself plays out brutally. The racist cops abuse and denigrate Lemuel, Leon, and the others who spend their time in the holding cell contemplating just how bad this could end for them if they’re sent to prison. The arrival of some intimidating, silent officers suggests the consequences could be even more immediate until they give way to Josto, whose arrival might portend an even worse fate. All the while, Loy fights his own battle at home with his wife, Buel (J. Nicole Brooks), whose patience has reached its end. In truth, it probably reached its end when Josto traded away Satchel, but Lemuel’s near-death experience, and now his arrest, apparently threaten what remains of their domestic harmony. Temporarily trading away a son is one thing. Losing one forever — that’s another matter entirely.

Buel’s mostly been a background figure so far, but she’s well played by Brooks in a scene in which she serves as a fine sparring partner for Chris Rock. Loy might technically prevail in this conflict, but he’s clearly broken something in their marriage that can’t be repaired. For Loy, it’s an acceptable loss. Later, while informing the Smutnys he’ll be taking over the King of Tears mortuary effective immediately, he tells Thurman and Dibrell how much he’s given up in the name of success and how okay he is with those sacrifices at the end of the day.

Rock’s kept Loy at a low simmer for most of the season, and at times it has felt like he’s been trying to construct a performance that avoids his natural charisma and gift for electric delivery. Apart from a few exceptions, he’s relied on a mean squint rather than verbal sparring. But each successive episode has asked Rock to open up a bit, and he has more than met the demand. Here, Loy has to stand his own against a justifiably enraged wife, get in Odis’s head by taunting him about his traumatizing service as a mine-sweeper, intimidate the Smutnys, and bring Zelmare and Swanee into the Cannon fold. He gets it done, and Rock brings the full power of his screen presence to each scene. But it’s the weariness in his eyes that reveals the toll all this has taken on Loy, whatever he might claim, that gives the character added dimension.

However effective Loy might be as a crime boss, whether or not he’ll have a chance to come out on top in this conflict remains to be seen. Josto has the police on his side. He also has other factors in his favor. As Josto explains to Loy’s men during his jailhouse visit, “America loves a crime story because America is a crime story.” Americans also love to “root for the taker” — so long as the taker isn’t Black. Italians might not be seen as fully American — just flash back to Deafy’s monologue about Salt Lake City in the previous episode — but they’re still white in the eyes of other white people, or at least not Black. They’ve got America’s deeply ingrained prejudice on their side, and nothing the Cannons can do will change that. Josto orders them to keep the peace, but it’s less a plea than a spiteful demand. Rabbi’s parting words — after passing on the assurance that he’ll take care of Satchel no matter what — reveal his pessimism not only about that possibility but about the fates of everyone in the room. “You’re all gonna die,” he says, making it sound not like a threat but like the words of someone who’s seen this movie before.

While Rabbi remains something of a sad-eyed enigma, we learn a bit more about Odis this week, both thanks to Loy’s taunting words (and “booms”) and via Deafy’s visit to his home. There, Deafy sees a bunch of neatly arranged Hummel figurines and a picture of Odis’s murdered fiancĂ©e. The visit also reveals that, while the war might have made Odis twitchy (as Loy suggests), his OCD predates his time as a mine-sweeper. In fact, his meticulousness is part of why he got the assignment, before being devastated by the news of his fiancĂ©e’s murder and, if Loy is to be believed, meeting disgrace after the death of a colonel due to some out-of-character negligence. Odis might be a corrupt tool of the Fadda family, but, in the moment, it’s kind of hard not to feel sorry for him.

Even Deafy’s heart melts a bit, and he’s a man who dreams about shaking trees filled with criminals in the service of the Lord. Deafy’s detective work takes him to Ethelrida’s school, where his very presence leads her awful principal and his possibly even more awful secretary to assume she’s in trouble, never mind her straight-A record (or the fact that she’s obviously smarter than them). And, she is kind of in trouble, since Deafy knows he can use the threat of suspension to strong-arm her into revealing where Zelmare and Swanee are holed up. He doesn’t even know she paid them a visit earlier in the day for her birthday, during which Zelmare offered her some top-shelf hooch. Ethelrida declined, but not before receiving a bit of wisdom about the difference between a criminal and an outlaw. Criminals “play the game” and dream of going straight, whereas outlaws have no such ambitions. In Zelmare’s words, there “ain’t nothin’ organized about our crime, because our crime is freedom.”

Like her aunt, Ethelrida’s gifted at parsing the finer points of language. She challenges Deafy when he details Zelmare and Swanee’s past crimes, then tries to use the word “civilized” against her. In response, Ethelrida informs him that Africa is the birthplace of civilization, then offers a brief history of their common African ancestry, facts she picked up while earning an A in anthropology. He’s impressed by the challenge, one that goes against the Mormon worldview and the theories about race he laid out a couple of episodes back. That doesn’t stop him from using the threat of expulsion against her to get her to reveal Zelmare and Swanee’s hideout, however.

As 17th birthdays go, Ethelrida’s has been pretty lousy. But it’s possible Deafy wouldn’t have had to get so tough to persuade her. (Besides, even though Ethelrida sends Deafy to Zelmare and Swanee’s hotel room, well, son of a biscuit, he arrives too late to bring them to justice. Loy decided to let bygones be bygones and make use of them as invisible soldiers in the Cannon army.) Ethelrida already has a strong sense of right and wrong, as evidenced by the letter she writes trying to expose Oraetta’s wrongdoing, even if she uses a false identity to compose it. For now, at least, Oraetta doesn’t seem to pose much of a threat to others. She watches — tortured enough to bang her head against the wall in agony — while a patient she’d clearly love to kill suffers. She’s an angel of mercy who’s had her wings clipped, at least for the moment.

That’s okay: Gaetano’s does enough killing for the both of them this episode. After slipping on some ice, lost in the sound of a Puccini aria that only he can hear, he first opts not to kill the teenage tavern employee who laughs at his misfortune. But when Gaetano’s served an inferior cup of American coffee, neither the teenager nor the barkeep escape his wrath, a move that shocks even the sadistic Constant. Gaetano has ruthlessness and fury on his side.

Gaetano might be unhinged, but he seems to be giving Constant ideas. When Doctor Senator shows up for his regularly scheduled diner meeting with Ebal, he finds Constant instead, with a silent Gaetano hanging out in a nearby booth looking as intimidating as a grown man can while eating a hot-fudge sundae. Constant lays out his sad origin story, but Doc’s not impressed. “You’re just boys makin’ a mess,” he says. “And one day, I’m gonna have to clean it up.” Only that day never comes; Constant shoots him in the back. Maybe, in his dying moments, Doc recognizes that the rules have changed and his way of doing things will never return to Kansas City. If not, Loy certainly does. Standing over Doctor Senator’s body, he looks frightened of what happens next.
Okay Then!

• RIP Doctor Senator, one of season four’s standout characters. It’s a shame, and a bit of a shock, to see him go. Glynn Turman’s been doing amazing work, but this would explain why he’s been listed as a guest star from the start.

• Thurman, who doesn’t seem like the quickest fellow in some respects, has started to wonder if Oraetta might have poisoned the pie.

• “What’s the rumpus?” Ethelrida asks, echoing Miller’s Crossing.

• Ethelrida has images of Billie Holiday and Althea Gibson on her walls and a miniature of the Statue of Liberty on her desk. Sometimes dĂ©cor can do a lot of work establishing a character.

• No ghost this week. Is he taking Ethelrida’s birthday off?

• Mort Kellerman shows up personally to collect those guns for his Fargo operations. He seems pretty sure of himself for a man who has less than a year to live, given the events recounted in Fargo’s second season.

• How good is the jazz combo in the opening scene? So good they can play Art Blakey’s “Moanin’” eight years before Blakey recorded the song.

Fantastic Four #25-30: The Forever Gate

 

The Forever Gate





Fantastic Four (2018) #25-30.
Written by Dan Slott
Art by ZE Carlos, Paco Medina, RB Silva
A new era for the Fantastic Four! New villains! New uniforms! And a major status quo change! But who is the mysterious figure called the Helmsman? Is he here to save our reality or destroy it? Meanwhile, Doctor Doom resurfaces — and one of the most important characters in the entire cosmos returns from the dead! Then, when a powerful portal to everywhere is ripped open, beings from countless realities pour through, threatening to overwhelm Manhattan...and then the rest of the world! The FF must close the Forever Gate, but why is Mister Fantastic standing in their way?! Featuring the Silver Surfer and the deadliest weapon in the universe! Plus: When the King in Black plunges the world into darkness, a symbiote will bond with a member of Marvel's First Family!

Monday, November 1, 2021

The Girlfriend Experience S3 Ep 1: Mirrors

From Showsnob: https://showsnob.com/2021/05/02/the-girlfriend-experience-season-3-episode-1-recap-mirrors/

The Girlfriend Experience S3 Ep 1: Mirrors





The Girlfriend Experience Season 3 premiere episode opens with Iris chatting in an empty white space in a strange, almost unreal room, Iris is welcomed to the V, as she is beautiful and boasts an impressive educational background in neuropsychology, Iris is accepted to have an initial meeting with a man named Paul, “I’m ready to have a real exchange with the men I sleep with”


Then Iris removes her VR goggles and chats with her friend Tawny (Alexandra Daddario) Iris is curious as to when her friend started “camming in VR” and her friend starts to help her get ready, Iris thanks her for setting her up and giving her something to wear, “An ivy league education has all kinds of benefits,”

We see Iris at school, continuing her studies, Iris leaves behind her half-finished degree after getting headhunted by an elusive tech startup company. In London, Iris is introduced to the group, “Nothing is off-limits as long as you stick two things, human behavior and predictive behavior.”

Iris cuts her hair and dyes it blond before she moves to London and first starts working at the tech startup interviewing some of the newcomers, she talks with one guy about the model of attraction.

In a flashback to her time shortly after leaving her former university, she chatted with her friend while at a bowling alley about her impending move and her friend wondered if she was doing the right thing by leaving school and going to a tech startup, she asks iris to be sure she’s not “selling out.”

Then we see Iris’s first night out with her first client for the V, Paul, at least that’s what it looks like. It’s filmed mostly from Paul’s perspective without ever showing him in the frame, Paul eventually grips her by the throat as he pushes her against the mirror and has sex with her, but then it’s revealed to be a dream.

In reality, when Iris goes to dinner with the real Paul, he’s been told that he’s her first client, she goes by the name of Cassandra here. She tells him she’s happy that her first time his him, they enjoy a romantic dinner together consisting of seafood and champagne, “I don’t think I’ve ever had anything that delicious.” “That’s the second time I’m your first for something, I’m on a roll.”

Then iris reaches out to touch his hand and suddenly he pulls away, Iris excuses herself to the bathroom and texts Tawny “need advice, he’s all gent what do I do.” Tawny advises her to ask and see his room, “works every time.” Then Iris pulls out her phone to make a recording, “Paul: Session 1.”

After it initially appears like the evening is going to end without anything happening, Iris changes tactics and turns from a sweet waif to a demanding dominant. She taunts Paul and degrades him a little, claiming he doesn’t know what he’s doing, and he’s suddenly way more interested in again, “I don’t think you’re ready for me, Paul.” “Oh I am so ready for you.” “Alright let’s get that f***ing check.” And together they get in the elevator to go to his room.