The Chair Company S1

The Chair Company feels like someone took I Think You Should Leave, fed it protein powder, gave it a storyline, and then whispered “don’t hold back.” It is exactly the kind of bizarre, uncomfortable, spiraling-absurdist comedy that Tim Robinson fans (like you) eat up, because it operates on his core principle:

“What if the most unhinged person in the room never stops doubling down?”

Tone & Style

This show is weird—not “quirky,” not “eccentric,” but full-on Robinson-weird, where every scene starts normal and then plummets into a fever dream of screaming, denial, wildly misplaced confidence, and workplace meltdowns. And the best part?
It’s coherent. There’s plot structure… just barely… like scaffolding holding up a collapsing clown car.

Tim Robinson, as Tim Robinson

He isn’t playing a character so much as a variant of himself from a different multiverse branch where HR violations are spiritual.
Every line delivery is tense, cracked, and perfectly unhinged.
Every outburst feels like a natural law of physics in this universe.

If you loved him in:

• I Think You Should Leave with Tim Robinson

• Detroiters

• or his SNL sketches that somehow survived censors

…then The Chair Company feels like his ultimate form.

Why Season 1 Works So Well

• The premise is stupid… but smart-stupid.
  It treats office drama like world-ending crises, which is where Robinson thrives.

• The escalation is immaculate.
  A small misunderstanding becomes a nuclear meltdown every episode.

• The supporting cast buys in.
  Everyone plays it straight, which makes Tim’s unhinging even funnier.

Bottom Line

The Chair Company Season 1 is chaotic, brilliant, uncomfortable, and absolutely in the spirit of everything Tim Robinson does. If you go in expecting polished sitcom storytelling, you’ll be confused. If you go in wanting the exact flavor of comedy that makes you say,
“Oh my God, stop—why is he LIKE THIS?”
…you’ll be in heaven.

John Wick 1, 2, and 3

 

John Wick (2014) – John Wick

The original film is still the cleanest and most emotionally grounded entry. What begins as a simple revenge story—man loses wife, loses dog, loses car—becomes a surprisingly elegant dive into a hidden criminal underworld.
Keanu Reeves delivers one of his most iconic performances, balancing grief with lethal precision. The action is tight, practical, beautifully choreographed, and shot in a way that lets you see the skill rather than hide it behind shaky cam.

Verdict: A modern action classic that redefined the genre.

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John Wick: Chapter 2 (2017) – John Wick: Chapter 2

The sequel expands the universe massively and confidently. We get the High Table, more Continental lore, blood markers, and new assassin factions. The movie feels like a graphic novel—stylish neon palettes, heightened rules, and more elaborate set pieces.
The action escalates without losing clarity, and the Rome sequence is one of the best in the franchise. Wick himself becomes less a grieving husband and more a mythic force.

Verdict: Bigger, richer world-building; a near-perfect sequel.

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John Wick: Chapter 3 – Parabellum (2019) – John Wick: Chapter 3 – Parabellum

Parabellum is pure, operatic action. It starts with Wick on the run, and for nearly two hours the movie barely lets up. Knife fights, horse chases, Halle Berry’s dogs—this one hits a creative peak in choreography.
The plot becomes more about survival and global politics within the High Table, which means the emotional grounding is lighter than in the first film, but the spectacle and inventiveness reach their highest point.

Verdict: The wildest, most relentless chapter—more stylized and world-heavy, but massively entertaining.

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Overall Series Takeaway

The first three films create a beautifully consistent trilogy: grounded revenge → expansive mythology → all-out war. Together they form one of the most stylish and influential action franchises of the 21st century.