Tuesday, September 15, 2026

Uncanny X-Men (2024) #7–10






Rogue's X-Men found themselves drawn into a confrontation at Graymalkin Prison, the former Xavier Institute that had been converted into a prison specifically designed to hold mutants. Dr. Corina Ellis was running the facility, and among the mutants being held there were Jubilee and Beast. Professor Charles Xavier was also imprisoned at Graymalkin following his actions during the fall of Krakoa.

The problem was that Rogue's team wasn't the only group of X-Men coming to Graymalkin.

Cyclops and his Alaska-based X-Men had launched their own mission, and although both groups opposed what Ellis was doing to mutants at the prison, Rogue and Cyclops had very different ideas about how they should handle the situation. Rogue still felt a tremendous amount of loyalty toward Xavier and believed that leaving him imprisoned was fundamentally wrong. Cyclops had become considerably less forgiving of his former mentor and believed Xavier needed to face the consequences of his actions.

Their disagreement became increasingly hostile as both teams entered Graymalkin.

Ellis had also prepared the prison specifically for an attack by mutants. Graymalkin contained powerful anti-mutant defenses as well as mutant prisoners known as Trustees who had effectively been weaponized against other mutants. Among the most dangerous people working with Ellis was a mutant named Phillip, better known as Scurvy.

Scurvy had originally met Ellis when she presented herself publicly as sympathetic toward mutant causes. She gradually exploited his abilities and manipulated him until he became completely devoted to her. Scurvy possessed an extremely dangerous ability to manipulate negative emotions, allowing him to intensify anger and resentment that were already present in other people.

That was particularly effective against Rogue and Cyclops.

The two X-Men leaders already had legitimate reasons to disagree, but Scurvy's influence pushed those emotions beyond anything reasonable. Their argument erupted into an outright fight between the Louisiana and Alaska X-Men teams, leaving mutants battling mutants in the middle of a prison specifically constructed to contain them.

Eventually the manipulation was exposed, allowing the X-Men to turn their attention back toward Graymalkin.

Xavier himself confronted Scurvy telepathically. During their confrontation, Scurvy revealed a strange connection between himself, Xavier and the recently deceased young mutant Harvey X. All three appeared to belong to a mysterious category of mutants called the Avians, and all shared another disturbing characteristic: tumors in their brains.

Although the X-Men survived the raid and rescued their captured teammates, the experience did little to repair the divide between Rogue and Cyclops.

Rogue remained furious over Scott's willingness to leave Xavier behind, while Cyclops believed Rogue's loyalty to Xavier was clouding her judgment. Both considered themselves defenders of mutantkind, but they were developing very different philosophies about what the X-Men should be now that Krakoa was gone.

The confrontation also made it clear that Graymalkin remained a serious threat. Ellis had survived, her anti-mutant operation remained active, and she was already developing new ways of hunting mutants.

Back in Louisiana, Rogue's team returned its attention to the four young mutants they had taken under their protection: Ransom, Calico, Jitter and Deathdream, collectively known as the Outliers.

The younger mutants were still trying to figure out both their powers and their places within this makeshift X-Men family. Ransom had a miniature black hole where his heart should be. Jitter could hyper-focus and temporarily become extraordinarily proficient at virtually any skill. Calico possessed an unusual psychic connection with her horse Ember and could manifest powerful fiery constructs through that connection. Deathdream could move between states of life and death, becoming something resembling a ghost and manipulating the energies of the dead.

The Outliers were powerful, but they were still essentially kids with very little experience.

Graymalkin decided to exploit exactly that vulnerability.

A new anti-mutant weapon was unleashed against them: the Bloodhounds. Rather than traditional humanoid Sentinels, these machines resembled terrifying robotic hunting dogs. They were designed to track mutants through enhanced senses and tear them apart with vicious mechanical teeth. Unlike the enormous Sentinels mutants had fought for years, the Bloodhounds were smaller, faster and specifically designed to hunt their targets relentlessly.

The Outliers encountered the Bloodhounds while away from the protection of the senior X-Men and were forced to defend themselves.

What began as an attempt simply to survive gradually became an opportunity for the young mutants to prove that Rogue's faith in them wasn't misplaced. Ransom, Calico, Jitter and Deathdream began functioning like an actual team rather than four frightened kids who happened to share a house.

Jitter pushed herself to protect Deathdream. Ransom and Calico fought the machines directly, while Calico demonstrated increasingly impressive control over the fiery manifestations connected to Ember. Deathdream's strange relationship with death once again made him both unsettling and unexpectedly useful.

Wolverine and Jubilee eventually became involved in the fight, but the Outliers weren't simply waiting for the experienced X-Men to rescue them. They were learning to protect one another.

The confrontation occurred publicly, which created an unexpected problem for Graymalkin. Instead of producing another incident that could be used as evidence that mutants were dangerous, witnesses saw mutant children defending themselves and protecting ordinary people from murderous machines.

For once, the public reaction wasn't automatically against the mutants.

That infuriated the people behind the Bloodhound program. Graymalkin's attempt to create another anti-mutant incident had instead allowed the Outliers to look heroic.

Nightcrawler was experiencing something similar on a smaller scale. While helping around the community, Kurt continued interacting with ordinary people who were gradually learning that the frightening-looking blue mutant wasn't someone they needed to fear. He also discovered another young mutant, Chelsea, beginning to come to terms with her own abilities. Kurt's experiences reinforced the possibility that Xavier's original dream of mutants and humans living together wasn't necessarily dead, even if the institution Xavier created had collapsed.

By the end of the Bloodhound attack, the Outliers had taken an important step toward becoming genuine X-Men. They were still inexperienced and frightened, but they had survived an attack specifically designed to kill them and had protected innocent people in the process.

Graymalkin, however, remained active.

Ellis and the people working with her had now demonstrated that they weren't content merely to imprison mutants. They were developing weapons capable of actively hunting them.

Rogue's team therefore found itself fighting on several fronts at once. The philosophical split with Cyclops had become more serious, the mystery surrounding Xavier and the strange Avians remained unresolved, Graymalkin continued developing anti-mutant technology, and the four young Outliers had become targets simply because they existed.

And hanging over everything was Charles Xavier.

The raid had raised new questions about whether the X-Men should still trust the man who founded them—and Xavier was about to become a much larger problem for both Rogue and Cyclops.

Sunday, September 13, 2026

Avengers (2023) #21–23

Avengers (2023) #21–23







The Avengers traveled to Alaska to visit Cyclops and his new team of X-Men at their headquarters, the Factory. Although Captain Marvel and Cyclops initially made it look as though another Avengers/X-Men confrontation was about to erupt, the whole thing was essentially a joke. The teams had actually gathered for a baseball game and dinner, giving them a rare opportunity to interact without trying to kill one another.

The visit was particularly important for Storm, who had recently joined the Avengers but remained very much a part of the mutant community. Rather than forcing her to choose between the two groups, the meeting reinforced that she could belong to both. Scarlet Witch also had an important reunion with Magneto, allowing the two to address their complicated family history. Meanwhile, Captain Marvel and Cyclops privately discussed the long and often ugly relationship between the Avengers and X-Men. Rather than reopening old wounds, they agreed that the two teams needed to work together going forward, particularly with larger threats looming.

Back at the Impossible City, Captain Marvel decided the Avengers needed to become more proactive about the Tribulation Events Kang had warned them about rather than simply waiting for each disaster to occur. Scarlet Witch learned through her mystical contacts that an old archive belonging to Kang was about to be auctioned at the Speculatorium, an enormous intergalactic casino owned by the Grandmaster. The archive contained information concerning the mysterious Missing Moment, but its expected auction price made legitimately acquiring it virtually impossible.

Tony Stark offered the obvious alternative: steal it.

The Avengers infiltrated the casino and divided into two groups. Scarlet Witch, Storm and Vision created an enormous distraction on the casino floor by staging a fight between Wanda and Ororo. Meanwhile, Iron Man, Captain America and Captain Marvel disguised themselves and slipped toward the vault. Tony managed to defeat the security system, but when they finally opened the vault they discovered that someone had already beaten them to the prize.

Vision scanned the casino and found the thieves: Kang the Conqueror and Felicia Hardy, the Black Cat. Even more surprisingly, they were accompanied by Felicia’s deceased father, Walter Hardy, whom Kang had retrieved from approximately twenty years in the past.

The Avengers weren’t the only people being manipulated. Grandmaster knew exactly what was happening and had turned the entire affair into one of his games. His opponent was Myrddin, Kang’s mysterious rival in the race to reach the Missing Moment. Grandmaster had wagered on the Avengers while Myrddin backed Kang.

The Avengers pursued Kang and Black Cat through the casino, but Felicia had planned for that possibility. Kang had recruited her because he needed one of history’s greatest thieves to recover his stolen information, while Felicia agreed partly because Kang could give her something money couldn’t: another chance to see her father.

Felicia had also hired Gatecrasher and the Technet as muscle. When Scarlet Witch, Storm and Vision caught up with the thieves, the Technet attacked, giving Kang and Felicia time to escape. The rest of the Avengers joined the battle and eventually defeated the bizarre mercenaries, allowing them to corner Kang and Felicia before they could leave.

It appeared that the Avengers had finally recovered Kang’s archive when Kang surrendered the box carrying it. Unfortunately, the box was empty.

Felicia had pulled off another trick. The real archive had secretly been given to Walter Hardy, who had already escaped with it. Kang had specifically traveled twenty years into the past to recruit the younger Walter for the heist, allowing Felicia to work alongside her father without initially telling him that she was his daughter.

With Walter safely carrying the real prize, Kang summoned an entire army to the casino to complete their escape.

By the end of the confrontation, Kang and Black Cat had successfully outmaneuvered the Avengers. More importantly, Kang once again possessed the information concerning the Missing Moment that the Avengers themselves had hoped to acquire. Grandmaster and Myrddin had also been watching the entire affair as a game, suggesting that the Avengers and Kang were still pieces in a much larger contest neither side fully understood.

The Avengers were therefore left in a worse position than when they started: they still didn’t possess the information they needed about the Missing Moment, Kang did, and Myrddin’s actual intentions remained unclear.

Meanwhile, Felicia had gotten something considerably more personal out of the adventure. Kang had given her an opportunity to spend time with her father again, even if Walter came from a point in history before his death and couldn’t simply remain with her in the present.

Unfortunately for the Avengers, the casino job wasn’t actually over yet. Kang’s army had just arrived, meaning the confrontation continues directly into Avengers #24.

Tuesday, March 10, 2026

Nuremberg (2025)


Nuremberg is a gripping historical drama that brings one of the most consequential trials in modern history to life with remarkable intensity. Directed with a steady focus on both the legal stakes and the human emotions behind them, the film examines the aftermath of World War II through the lens of the Nuremberg Trials, where leading figures of the Nazi regime were held accountable for their crimes. The story balances courtroom tension with moments of reflection, reminding viewers that these proceedings were not only about justice, but also about defining the moral boundaries of a new world order.

Rami Malek delivers a thoughtful and restrained performance, portraying a character caught between the legal complexities of the trial and the overwhelming moral weight of the evidence presented. Malek’s ability to convey quiet intensity works well in a story driven by testimony, strategy, and the slow unfolding of truth. Opposite him, Russell Crowe brings a commanding presence that anchors many of the film’s most powerful scenes. Crowe’s portrayal carries both authority and nuance, giving the courtroom confrontations a sense of gravity that feels appropriate for a moment of such historical magnitude.

What makes Nuremberg especially effective is how it avoids turning the material into a simple good-versus-evil narrative. Instead, the film explores the legal and philosophical questions surrounding responsibility, obedience, and justice after unimaginable atrocities. The pacing allows the arguments and testimony to breathe, creating a slow-burn tension that builds throughout the trial. By the end, the film leaves viewers reflecting not only on the events of the past, but also on how those principles of accountability still resonate today. It’s a thoughtful and well-acted historical drama that succeeds in making history feel immediate and meaningful.

Wednesday, March 4, 2026

Incredible Hulk (2023) #20-25





In The Incredible Hulk (2023) #20–25, the story continues the dark horror tone of the run, focusing on Bruce Banner, the Hulk, Charlie Tidwell, and the looming threat of ancient monsters tied to the villain known as the Eldest. These issues move from a supernatural wolf-demon storyline into a plot centered on Charlie’s unstable skinwalker powers and eventually lead Banner into the magical side of the Marvel Universe.

In issues #20–21 (“Wolves of the Old World”), Hulk’s destruction of the skinwalker cult draws the attention of ancient supernatural predators. Hulk and Werewolf by Night confront the immortal wolf-demon Varcolac, one of the oldest monsters on Earth, whose hunt is triggered by Hulk’s recent actions. Meanwhile, Charlie Tidwell—who was resurrected earlier with skinwalker powers—begins reveling in her newfound strength but also fears she may be losing control of herself. The battles with Varcolac reinforce the series’ horror theme, showing that Hulk’s presence is awakening primal forces tied to the monstrous mythology surrounding the Eldest and the coming “Age of Monsters.”

In issues #22–23 (“The Skin of Charlie Tidwell”), the focus shifts to Charlie. Bruce Banner becomes increasingly suppressed inside Hulk’s mind, effectively trapped as Hulk’s personality dominates. As Charlie’s transformation into the skinwalker entity Lycana grows more violent, she tries to reach Banner within the Hulkscape—the mental world shared by Hulk and Banner—to seek guidance and retain her humanity. At the same time, mysterious forces connected to the Eldest begin abducting gamma-mutated individuals around the world, suggesting a larger supernatural plan unfolding behind the scenes. In a key turning point, Charlie briefly loses control when one of Eldest’s servants steals her supernatural “skin,” forcing her to confront both the power and danger of the monster she has become.

By issues #24–25, Bruce and Charlie pursue magical help to deal with the escalating supernatural threats and Charlie’s unstable condition. They travel to the Sanctum Sanctorum, where Clea recognizes Banner’s battle against the Eldest and begins assisting them with mystical knowledge. Charlie admits she does not want to lose her power—she simply wants to control it. Their search for Doctor Strange ultimately points them toward Asgard, where the storyline culminates in a confrontation with Thor. The arc ends with Hulk entering the realm of gods and magic, expanding the series from monster-horror territory into a larger mythic conflict tied to the fate of Charlie, the Eldest, and the cosmic forces gathering around Hulk.

Tuesday, March 3, 2026

If I Had Legs, I'd Kick You (2025)



Just like everyone, I'm not stupid - I know that if you see the characters "A-2-4" together, you know you can't go wrong. This was a good one. Spoilers, but I didn't' know Christian Slater was in it until the end. I think that was a shock to most. And Conan O'Brien can act? Who knew? Other than that, it was good. Rose Byrne is a great actress who I guess you're supposed to sympathize with because motherhood is hard.


In the end, I'm sorry. She's a pretty bad mom. Just saying. But a good movie. I'd recommend for sure.

Tuesday, February 10, 2026

Zodiac (2007)

 



David Fincher’s Zodiac is a masterclass in slow-burn suspense, transforming a decades-long investigation into one of the most haunting procedurals ever put on screen. Rather than relying on jump scares or sensationalism, the film builds its tension through meticulous detail—newspaper clippings, coded letters, phone calls, and dead-end leads. The atmosphere is heavy and unsettling, and Fincher uses his signature precision to pull you into the obsessive world of journalists and detectives who can’t let the case go.

What makes the film especially effective is the cast’s grounded intensity. Jake Gyllenhaal, Mark Ruffalo, and Robert Downey Jr. all deliver performances that feel lived-in and human, never overplayed. As the investigation drags on, the characters’ lives slowly unravel, and the movie captures that spiral with an almost documentary-like realism. The sense of frustration becomes palpable—you feel every missed opportunity and every unanswered question. It’s gripping without ever needing to manufacture drama.

Overall, Zodiac is just a good, rock-solid film—smart, atmospheric, and surprisingly rewatchable. It doesn’t give you the neat resolution most thrillers do, but that ambiguity is part of what makes it stick with you. If you enjoyed it, it’s because Fincher knew exactly how to keep you absorbed: not with action, but with the unsettling truth that sometimes the most terrifying mysteries are the ones that remain unsolved.

Friday, February 6, 2026

The Chair Company S1




The Chair Company feels like someone took I Think You Should Leave, fed it protein powder, gave it a storyline, and then whispered “don’t hold back.” It is exactly the kind of bizarre, uncomfortable, spiraling-absurdist comedy that Tim Robinson fans (like you) eat up, because it operates on his core principle:

“What if the most unhinged person in the room never stops doubling down?”

Tone & Style

This show is weird—not “quirky,” not “eccentric,” but full-on Robinson-weird, where every scene starts normal and then plummets into a fever dream of screaming, denial, wildly misplaced confidence, and workplace meltdowns. And the best part?
It’s coherent. There’s plot structure… just barely… like scaffolding holding up a collapsing clown car.

Tim Robinson, as Tim Robinson

He isn’t playing a character so much as a variant of himself from a different multiverse branch where HR violations are spiritual.
Every line delivery is tense, cracked, and perfectly unhinged.
Every outburst feels like a natural law of physics in this universe.

If you loved him in:

  • I Think You Should Leave with Tim Robinson

  • Detroiters

  • or his SNL sketches that somehow survived censors

…then The Chair Company feels like his ultimate form.

Why Season 1 Works So Well

  • The premise is stupid… but smart-stupid.
    It treats office drama like world-ending crises, which is where Robinson thrives.

  • The escalation is immaculate.
    A small misunderstanding becomes a nuclear meltdown every episode.

  • The supporting cast buys in.
    Everyone plays it straight, which makes Tim’s unhinging even funnier.

Bottom Line

The Chair Company Season 1 is chaotic, brilliant, uncomfortable, and absolutely in the spirit of everything Tim Robinson does. If you go in expecting polished sitcom storytelling, you’ll be confused. If you go in wanting the exact flavor of comedy that makes you say,
“Oh my God, stop—why is he LIKE THIS?”
…you’ll be in heaven.

Thursday, February 5, 2026

John Wick 1, 2, and 3

 


John Wick (2014) – John Wick

The original film is still the cleanest and most emotionally grounded entry. What begins as a simple revenge story—man loses wife, loses dog, loses car—becomes a surprisingly elegant dive into a hidden criminal underworld.
Keanu Reeves delivers one of his most iconic performances, balancing grief with lethal precision. The action is tight, practical, beautifully choreographed, and shot in a way that lets you see the skill rather than hide it behind shaky cam.


Verdict: A modern action classic that redefined the genre.


John Wick: Chapter 2 (2017) – John Wick: Chapter 2

The sequel expands the universe massively and confidently. We get the High Table, more Continental lore, blood markers, and new assassin factions. The movie feels like a graphic novel—stylish neon palettes, heightened rules, and more elaborate set pieces.
The action escalates without losing clarity, and the Rome sequence is one of the best in the franchise. Wick himself becomes less a grieving husband and more a mythic force.


Verdict: Bigger, richer world-building; a near-perfect sequel.


John Wick: Chapter 3 – Parabellum (2019) – John Wick: Chapter 3 – Parabellum

Parabellum is pure, operatic action. It starts with Wick on the run, and for nearly two hours the movie barely lets up. Knife fights, horse chases, Halle Berry’s dogs—this one hits a creative peak in choreography.
The plot becomes more about survival and global politics within the High Table, which means the emotional grounding is lighter than in the first film, but the spectacle and inventiveness reach their highest point.


Verdict: The wildest, most relentless chapter—more stylized and world-heavy, but massively entertaining.


Overall Series Takeaway

The first three films create a beautifully consistent trilogy: grounded revenge → expansive mythology → all-out war. Together they form one of the most stylish and influential action franchises of the 21st century.

Monday, January 19, 2026

Miles Morales: Spider-Man (2022) #26-31

 





What did you miss? Click HERE

In issue #26, Miles faces a dramatic showdown with Adrian Toomes, the Vulture, who is desperate to pull his granddaughter Tiana (Starling) away from Miles. Still weakened by a recent vampiric infection (kept in check by a new Wakandan tech suit that regulates his bio-electric “venom” power), Miles struggles against Vulture’s onslaught. The fight spills into Misty Knight’s makeshift headquarters – she’s been mentoring Miles and had even enlisted Black Panther’s help to counter Miles’s condition. As the battle intensifies, Starling herself intervenes, making it clear she won’t return to her grandfather’s criminal “nest.” Together, Miles and Starling neutralize Vulture’s attack (with Starling literally knocking some sense into her grandfather), bringing the high-flying family confrontation to an end. This resolution solidifies Miles and Starling’s bond and gives Misty a front-row view of the chaos that surrounds her young protégé.

With Vulture dealt with, Miles turns to curing the vampiric curse left in his system by an ancient vampire (Varnae). Following Misty Knight’s guidance, Miles travels to Wakanda alongside Black Panther (T’Challa), who has obtained a cutting-edge vibranium-weave Spider-suit for Miles and is determined to help purge the infection. In issue #27–28, deep in Wakanda’s wilds, they perform a ritual under the panther goddess Bast’s watch. Miles undergoes mystical trials: first battling visions of his greatest foes, then facing a moral test. Bast offers an easy cure – if Miles transfers his vampirism to T’Challa – forcing Miles to choose between saving himself or sparing his ally. Miles, true to his heroism, refuses to sacrifice Black Panther. This selfless choice impresses Kwaku Anansi, the trickster spider-god, who unexpectedly intervenes. Anansi cleanses Miles of the vampirism outright, restoring his humanity. In doing so, Anansi essentially names Miles as his new champion (a role Miles never knew he was destined for). By the end of this spiritual journey, Miles is fully cured and empowered, though left with the startling revelation that he’s now bound to a god’s mantle. Meanwhile, back home, Miles’s clone-brother Shift (a benevolent, mute shapeshifter created from the earlier Clone Saga) has been impersonating Miles at Brooklyn Visions Academy to cover his absence. Shift’s awkward attempts at school – with best friend Ganke and others growing suspicious – provide a bit of relief and show how integrated Shift has become in Miles’s life.

Miles returns to New York in issue #29 just in time for “Pools of Blood,” an arc that collides him with Deadpool. No sooner is Miles home than he discovers Shift gravely injured – shot by none other than Wade Wilson, who mistook the clone for Miles. It turns out Agent Gao, a vengeful rogue operative from Miles’s past, hired Deadpool to target Spider-Man. Miles leaps into battle fueled by fresh anger, leading to a chaotic confrontation with Deadpool and Wade’s teenage daughter Ellie. The fight ranges from a sword duel (Miles manifests his bio-electric energy as a “venom saber” against Deadpool’s katanas) to a teleportation mishap that leaves Miles and Ellie temporarily stranded together. During this frantic scuffle, Ellie manages to calm things down, explaining her dad’s motives – Deadpool took the job to protect her future, not out of bloodlust. A begrudging understanding is reached, and Miles agrees to team up, realizing Agent Gao is the true threat. Using nanotech from his new suit, Miles repairs Ellie’s damaged teleport device, and the unlikely allies regroup with Shift and Deadpool. They arrive to find Agent Gao deploying her own enhanced enforcers – the armored villains Midas and Output – to finish the job. A quick team effort by Miles, Shift, and the Deadpools neutralizes these henchmen, but Gao has one more surprise: she appears wielding god-given power as the newly anointed Herald of Ares. Fueled by the war-god’s might and seeking to challenge Miles (now Anansi’s champion), Gao attacks in a fury. In the climactic struggle of issue #31, Miles’s high-tech suit proves invaluable – it absorbs and redirects Gao’s divine energy blasts – while Deadpool’s unpredictability gives the heroes an edge. Wade even manages to steal Gao’s glowing war-weapon amidst the fray. Overwhelmed and inexperienced with her new powers, Gao is forced to retreat. In the aftermath, the enemy-of-my-enemy alliance dissolves amicably: Deadpool and Ellie depart with mutual respect earned (and perhaps a few of Wade’s quips still ringing in Miles’s ears). Miles tends to Shift’s wounds and, recognizing his clone brother’s yearning for his own identity, grants him a personal name – “Jaime Morales” – officially welcoming him into the family. As Miles looks ahead, he carries some important changes: he’s free of the vampire curse and sporting a cutting-edge suit, but he’s now secretly the chosen of a trickster god. This new status already put him on a collision course with Ares’s schemes, hinting at a brewing “war of the gods” that will test Miles in the issues to come. Nonetheless, supported by friends and mentors like Starling, Misty Knight, Ganke, and his newly-christened “brother” Shift, Miles stands ready for whatever comes next as Brooklyn’s Spider-Man.

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Amazing Spider-Man (2022) #61-66

 





WHAT DID YOU MISS?! Click HERE.

Amazing Spider-Man #61–66 (2022) – In this six-part arc, Peter Parker is reeling from recent turmoil in his life when a new mystical crisis strikes. After a brutal gang war with Tombstone shook New York’s underworld (and nearly cost Tombstone’s own daughter Janice her life), Spider-Man managed to save Janice and get Tombstone arrested – but the victory was hollow. Tombstone walked free by bribing a judge, Janice fled into hiding to escape her father, and Peter’s best friend Randy Robertson (Janice’s fiancé) is left with their wedding plans on hold. Peter, struggling with guilt, loneliness, and a strained personal life (he’s now living with Randy and dating a kind-hearted nurse named Shay Marken after losing Mary Jane), is at a low point. It’s at this moment that Doctor Doom, newly ascended as Sorcerer Supreme, confronts Spider-Man with a dire request: a demonic threat from the god Cyttorak is looming, and Doom needs Spider-Man to be his champion against it. Peter initially balks at teaming up with Doom, but when one of Cyttorak’s Scions (a powerful demonic champion) attacks and nearly kills him in broad daylight, Spider-Man realizes he has no choice. He reluctantly agrees and dons a mystical suit of armor from Doom that will resurrect him each time he dies – up to eight times – to endure the trials ahead.

The gauntlet of battles begins, pushing Spider-Man beyond anything he’s faced before. With the enchanted armor granting him extra lives, Peter confronts one lethal Scion of Cyttorak after another, literally dying and reviving in each encounter. Early on he’s slain (ripped apart by mystical forces) and awakens disoriented, greeted by the astral form of Doctor Strange, who explains that these repeated deaths are the only way to defeat all of Cyttorak’s champions and save the world. Each fight is more harrowing than the last. In one encounter, a demonic little girl (another Scion) drags Spider-Man through his worst memories – forcing Peter to relive heartbreaking moments like the death of Uncle Ben – in an effort to shatter his spirit. In another, a Scion gives Spider-Man a cursed orb that floods him with the agonizing cries of countless dying souls, nearly driving him mad with despair. Spider-Man endures it all and even manages to win a few rounds (using his wits and help from friends), but each death and resurrection takes a serious toll. The strain bleeds into Peter’s civilian life: he attempts a normal dinner with Aunt May, Randy, and Shay or a quiet picnic date, but he’s distracted, haunted, and bruised from battle at every turn. Sensing something is very wrong, Black Cat (Felicia Hardy) steps in as a loyal friend and ally – she listens to Peter’s troubles and even helps him break into Doctor Strange’s Sanctum to steal a book about Cyttorak’s history, hoping to find a weakness. All the while, the world around them grows more chaotic. Other heroes begin to notice the mystical upheaval: Juggernaut (Cyttorak’s one-time avatar) feels the disturbance and alerts the X-Men, hinting that this fight is bigger than Spider-Man alone. Even Peter’s former mentor Norman Osborn bows out by shutting down Oscorp, removing the high-tech support Peter once relied on. The message is clear – no reinforcements are coming from Peter’s usual circles, and this battle is pushing him to the brink physically and emotionally.

By the end of issue #66, the “eight deaths” ordeal has driven Spider-Man to a breaking point. He has been killed and resurrected multiple times now, suffered unspeakable trauma, and with each cycle he feels his hope slipping away. Finally, in a dramatic collapse of Peter’s usually indomitable spirit, Spider-Man quits – yes, Peter Parker actually gives up. After yet another brutal death and revival, he tells Doctor Strange (and Doom) that he cannot continue and walks away from the mission, convinced that nothing he does will ever be enough to stop this threat. It’s a shocking turn for a hero defined by perseverance, and it leaves the world in peril: Cyttorak’s demonic forces are still at large, and with Spider-Man abandoning the fight (at least for now), the responsibility may fall to other heroes to prevent catastrophe. The arc wraps on this tense cliffhanger of cosmic stakes and personal anguish. Peter’s friends and loved ones are left deeply worried – Shay sees her boyfriend growing cold and distant but doesn’t know why, and Randy can tell Peter is in a dark place even if he’s unaware of the supernatural battle raging in secret. Unresolved threads abound as we look toward the next issues: the Scions of Cyttorak continue their assault without Spider-Man fully in the fray, Peter’s crisis of confidence hangs heavy, and the fate of his city (and his relationships) is uncertain. In short, Amazing Spider-Man #61–66 delivers a brutal, game-changing saga that ends with Peter Parker physically alive but spiritually defeated – a hero at his lowest point, just as an even greater fight looms ahead. Readers are now caught up and ready to see if and how Spider-Man will find his resolve again, what role heroes like the X-Men or others might play in the final battle, and whether Peter can reclaim his life (from Tombstone’s unfinished business to his love on the line with Shay) once the dust settles.


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Friday, January 16, 2026

Iron Man (2024) #1-5




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 A new era dawns with Tony Stark regaining control of Stark Unlimited – and immediately facing betrayal from within. In issues #1–3 (the “Stark-Roxxon War” arc), Tony vows to end his company’s weapons manufacturing, only for his board of directors to secretly arrange a sale to his rivals Roxxon Energy and A.I.M. This corporate coup is backed by dark forces: the demon Belasco resurrects Justine Hammer (daughter of Iron Man’s old foe Justin Hammer) to become a new Iron Monger. She infects Stark’s technology with a mystical virus, causing Iron Man’s high-tech armors to all fail at once. Stripped of his suits and injured, Tony returns in a jury-rigged “offline” Iron Man armor fueled by sheer grit and anger. He wages guerrilla war on Roxxon/A.I.M. – from blowing up one of Roxxon’s corrupt oil pipelines to storming an A.I.M. lab – even dueling a magically-controlled Doctor Druid. In a climactic showdown, Tony forges a massive Repulsor-powered sword from scrap metal and battles Justine Hammer’s Iron Monger armor in brutal fashion. He narrowly defeats her, foils the hostile takeover, and forces Roxxon and A.I.M. to withdraw their bid. The victory is hard‑won: Stark Unlimited is saved, but Tony is left shaken by Justine’s parting warning that Stark’s deep ties to weapons could turn him into the next Iron Monger. This opening salvo is intense and personal, echoing the classic Armor Wars in reverse – here Tony’s own armory is stolen out from under him, forcing Iron Man to fight back with ingenuity and raw determination.

Issues #4–5 (“The Machinery of Order” arc) pick up with Tony addressing the magical corruption of his technology and uncovering a new threat tied to his company’s past. With all his Iron Man suits compromised, Tony enlists help from allies: young genius Riri Williams (Ironheart) and the Scarlet Witch. They discover that fragments of Justine’s Iron Monger armor can be used to purge the lingering mystical “worm” virus from Stark’s systems – a clever tech-meets-magic solution that restores Tony’s armors. In the process, they trace stolen Stark weapons to a disturbing situation in Chicago. Tony, Riri, and former S.H.I.E.L.D. agent Melinda “the Cavalry” May team up to investigate a paramilitary group called The Heat operating on Chicago’s West Side. They learn The Heat, aided by ex-Agent Kara Palamas, has turned an abandoned Stark Industries facility (Hellman Circle) into a “Little Latveria” – an oppressive private police zone “cleansing” the neighborhood under the pretense of keeping it safe. This scheme is masterminded by Lucia von Bardas, the cyborg former Prime Minister of Latveria, who seeks to gentrify the area for Latverian investors by forcefully removing local residents. Iron Man and Ironheart arrive in Chicago and free civilians being detained in the warehouse black site. Von Bardas confronts them with a hijacked Stark Sentinel (a leftover mutant-hunting robot from Stark tech’s misuse in recent X-Men conflicts). In a fierce battle, Tony and Riri prevent Von Bardas from leveling the entire neighborhood – combining Iron Man’s brute firepower and Ironheart’s precision to bring down the giant Sentinel. In the end, Von Bardas is defeated (uploading her mind into the Sentinel backfires), and the heroes empower the traumatized locals to symbolically destroy Hellman Circle themselves using improvised repulsor weapons. This cathartic victory not only liberates the community but also lets Tony literally help the people hurt by his company’s tech, showing his resolve to atone for Stark Industries’ past wrongs.

Iron Man (2024) #1–5 connects strongly to broader Marvel themes and continuity while marking a bold new chapter for Tony Stark. The storyline riffs on “Armor Wars” by flipping the script – instead of Tony hunting down stolen armors, he’s the one stripped of his armory and forced to fight from scratch. This emphasizes how far Stark’s technology reach has grown, and the political footprint of Stark Industries becomes a double-edged sword. Past events weigh heavily: references to Orchis and Stark Sentinels (from X-Men’s recent mutant crisis) underline that Tony’s inventions have global consequences beyond his control. We see Stark grappling with that legacy – from the boardroom politics (where profit-hungry executives and even a former S.H.I.E.L.D. ally sell him out) to social issues on the streets (where his family’s old factory turned into a tool of oppression). Tony’s characterization in this run takes a compelling turn: he’s angrier, more “fury-powered,” and willing to get his hands dirty to do what’s right. He openly sides with labor unions and marginalized communities, confronts shady corporations head-on, and even uses unorthodox tactics like sabotage and a giant sword to make his point. Yet amidst this aggression, he remains the hero striving to be better – shown by his aversion to wielding dark power (refusing to wear the demon-tainted Iron Monger suit) and his empathy in giving Chicago’s victims the agency to tear down their prison. The cast of guest characters further ties this saga into Marvel’s fabric: Justine Hammer’s return evokes Iron Man’s classic rogues and the legacy of Stark weaponry; Riri Williams (Ironheart) represents Tony’s mentorship and the future of Iron heroes; Melinda May and Kara Palamas bring in S.H.I.E.L.D. intrigue and the fallout of its collapse; Lucia von Bardas channels the shadow of Doctor Doom’s Latveria and U.S. foreign meddling (as seen in Secret War). Even magic enters the mix via Scarlet Witch and Belasco’s corrupt sorcery, testing Tony outside his technological comfort zone. In sum, Spencer Ackerman’s Iron Man (2024) #1–5 delivers a dramatic arc that not only packs heavy metal action and corporate espionage, but also engages with the wider Marvel Universe – past and present. It’s Tony Stark’s fight to reclaim his company’s soul and his own purpose, blending high-tech superheroics with sharp political commentary, and setting the stage for an Iron Man who is more responsible, more dangerous, and more relevant than ever.

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Thursday, January 15, 2026

Incredible Hulk (2023) #18-19

 




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In Incredible Hulk (2023) #18, Bruce Banner and the Hulk are dragged into the final stage of the Las Vegas horror arc, where the Eldest reveals the true shape of her plan. Banner’s earlier deal to save Charlie Tidwell is exposed as the trap that let the Eldest bind the Hulk and use him as a living key for a ritual meant to unleash her imprisoned Mother — the primordial source of the nightmare mythos that has haunted this run. With the Green Door/Below-Place mythology hanging over everything, Eldest positions Hulk as the perfect vessel: a gamma creature built to endure, regenerate, and be “owned.” The issue is essentially the villain’s victory lap — Hulk is restrained and mutilated, Banner is psychologically broken down, and the ritual proceeds with the clear implication that if the Eldest succeeds, this won’t just be another monster problem; it will be an existential catastrophe tied directly to the oldest roots of gamma horror in Marvel.

In #19, the climax erupts when Charlie becomes the unexpected counterweight to Eldest’s control. Charlie’s fear and trauma are weaponized by the Eldest, but that attempt backfires: Charlie is empowered through the wolf-goddess connection that has been lurking in the background of the arc, and she transforms into a feral, supernatural predator capable of tearing through the Eldest’s Skinwalker cult. Eldest tries to crush her anyway — both physically and psychologically — and the confrontation becomes a savage, mythic brawl in the heart of the underground temple. That chaos gives the Hulk the opening he needs. Banner and Hulk reassert themselves, and Hulk’s resurgence is depicted as a grotesque rebirth: he breaks free, re-forms, and unleashes the full weight of his rage on the Eldest in a decisive, cathartic beatdown that ends the ritual and destroys her physical form before she can bring her Mother through.

The arc closes on consequences rather than celebration: Charlie is no longer “saved” in a clean way, and Banner may have permanently changed what Hulk is in the Marvel Universe. Charlie remains transformed and vanishes into the night, leaving Banner with the brutal reality that his bargain did not restore her life to normal — it simply moved her into a different kind of cursed existence. The Eldest, meanwhile, is not simply “gone”: even after losing her body, she persists as something vengeful and lingering, promising retaliation and implying that breaking the eternal bargain carries a cost. The biggest takeaway for Marvel continuity is that the book treats Hulk’s immortality and the Green Door era as something that can be damaged, redirected, or even ended by supernatural law — meaning Hulk may no longer be the unkillable, endlessly returning force he was during the height of the Below-Place mythology. Hulk wins the fight, stops an ancient catastrophe, and ends the Eldest’s immediate reign — but he walks away with his world scarred, his ally transformed, and his own “immortal” status thrown into doubt going forward.

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Wednesday, January 14, 2026

Moon Knight: Fist of Khonshu (2024) #0-5

 



Moon Knight: Fist of Khonshu #0–5 begins shortly after Marc Spector’s heroic sacrifice and resurrection. In the preceding “Last Days of Moon Knight” arc, Marc died stopping a city-wide threat, and his allies freed Khonshu to bring him back to life. Issue #0 serves as a prelude, reuniting Marc with his Midnight Mission team (Tigra, Reese, Hunter’s Moon, 8-Ball, and others) and reestablishing their nocturnal mission. With the moon god Khonshu now free from his prison, he once again looms large over his avatar. Marc – balancing his personas as Moon Knight and the suited “Mr. Knight” – dives back into protecting “travelers of the night” alongside his allies. But a new threat quickly emerges in New York’s underworld: a mysterious street drug called “Glitter,” which turns out to be literal fairy dust that is highly addictive and deadly to its users. Investigating this menace, Moon Knight encounters the drug’s supplier – Achilles Fairchild, a ruthless crime boss – and issues a stern warning in their first confrontation at a nightclub, which ends in a tense stalemate. Meanwhile, Marc’s allies uncover that a corrupt NYPD detective (Frazier) is secretly on Fairchild’s payroll, as an ex-cop friend (Detective Flint) helps reveal the villain’s influence within the police. This opening act sets the stage: Marc Spector is back from the dead, leading the Midnight Mission in a “new era” against an insidious foe operating at the intersection of crime and the supernatural.

Over the next few issues (#1–4), the
conflict escalates on both the streets and within Marc’s circle. Moon Knight and his team wage war on Fairchild’s glitter trade, only to discover how formidable and organized this new enemy is. Marc (with Hunter’s Moon and 8-Ball) busts a Glitter shipment, clashing with Fairchild’s henchmen – including a pheromone-wielding villain called Cubist – but the gang’s operations prove resilient. To counter the fairy-dust’s magical properties, Marc even seeks help from the Avengers’ orbiting base: he consults Tony Stark, who directs him to a brilliant scientist (recently seen in Avengers Inc.) to devise an antidote. This cameo underlines Moon Knight’s ties to the wider Marvel Universe – an Avenger is now aiding the once-outcast Fist of Khonshu. The scientist ally (who has a complicated history with Tigra) works on neutralizing the drug, but Fairchild strikes back before the heroes can gain the upper hand. In a brutal retaliatory move, Fairchild’s gang attacks Moon Knight’s base, the mystical Midnight Mission house, effectively razing Marc’s sanctuary and forcing his scattered allies into hiding. Reeling from these defeats, Marc grows increasingly isolated and desperate. He’s haunted by the knowledge that being Khonshu’s avatar has a heavy cost – each time Khonshu resurrects him, Marc retains gruesome scars as eternal “lessons” from the god. Burdened by this immortality and fearing for his friends’ safety, Marc begins to push his closest allies (especially Tigra) away emotionally. This creates tension within the group – even as Tigra and Reese try to hold the Midnight Mission together in Marc’s downward spiral, their partnership frays under the strain of vampire attacks and police pressure. Through these issues, the arc not only delivers gritty action but also explores Marc Spector’s psyche: his guilt over dying and returning, his rekindled servitude to Khonshu, and the struggle to reconcile his “multitudes” of personas with the man his allies need him to be.

Issue #5 delivers an explosive climax and a game-changing revelation that ripples through Moon Knight’s lore. With his team wounded and out of options, Marc challenges Achilles Fairchild to a final one-on-one showdown, determined to end the threat at any cost. The fight – staged like a no-holds-barred boxing match – sees Moon Knight unleash all of Khonshu’s wrath upon the crime lord, fueled by the pain and scars of each past resurrection emblazoned on his body. Yet Fairchild endures the onslaught with uncanny resilience. In a stunning twist, he reveals the secret behind his strength: everything Marc knows about his backstory is true, except the location. Fairchild did grow up as a simple farm boy, but his farm was in Asgard – he is actually an Asgardian living on Earth. This bombshell explains why Moon Knight’s “unstoppable force” finally met an “immovable object”. It elevates the stakes from street crime to mythology, pitting Khonshu’s resurrected champion against a foe with godly heritage. The arc’s finale thus connects to broader Marvel lore – the collision of Egyptian and Norse mythologies – and even recalls how Khonshu himself was previously imprisoned by Asgard’s heroes. In the end, Fist of Khonshu reestablishes Moon Knight’s place in Marvel continuity with high stakes and lasting consequences. Marc Spector is alive again and back in action, but now more bound to Khonshu than ever, carrying the literal and figurative scars of servitude. The introduction of new elements – from the deadly fairy-dust drug Glitter to allies and enemies drawn from other corners of Marvel (Tony Stark’s intervention, a Spider-Man-centric backup story with Khonshu’s influence, and an Asgardian crime lord as the villain) – shows how this arc both follows from Moon Knight’s past and meaningfully expands his world. It directly builds on previous continuity (the Vengeance of the Moon Knight fallout and Marc’s sacrificial death while charting a bold new direction: Moon Knight is once again the Fist of Khonshu, now facing mystical new adversaries and reconciling his role as an immortal protector in the wider Marvel Universe.

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