Black Mirror S7 Ep 2: Bête Noire
“Bête Noire” stands out as one of the more striking installments of Black Mirror’s seventh season, partly because of how confidently it balances unease, spectacle, and catharsis. Directed with precision by Toby Haynes, the episode builds its tension through psychological disorientation rather than obvious horror. Subtle shifts in memory, perception, and circumstance keep both the protagonist and the viewer on edge, creating an atmosphere where nothing feels entirely trustworthy.
The performances deserve a lot of credit. Siena Kelly anchors the episode with a portrayal that’s equal parts vulnerable and defiant, while Rosy McEwen delivers a performance that is as chilling as it is nuanced. Together, they embody the clash of guilt, memory, and vengeance that drives the story. Their dynamic keeps the narrative from becoming pure sci-fi spectacle; even as reality bends, the human element remains central.
What sets “Bête Noire” apart is its ending. Without giving too much away, it’s more uplifting—or at least more empowering—than the bleak conclusions Black Mirror is known for. There’s a genuine sense of catharsis in the resolution, even if it comes wrapped in layers of ambiguity and exaggeration. For a series that often ends with despair, this tilt toward triumph feels refreshing.
That said, the final act may feel over-the-top for some, as the story moves from subtle psychological tension into high-concept, almost fantastical territory. But whether you find that shift jarring or exhilarating, it makes “Bête Noire” memorable. It’s bold, weird, and deeply Black Mirror—and it may well stand as one of the season’s highlights.
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